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Live from Regenbogenpark in Vienna, Fr., , 11 h &#; 17 h

With the hosts from &#;Tabera Talk&#;!

„TABERA Talk“, every two weeks on-Air! Sarah-Michelle Fuchs and Marlene Bogner talk about topics like Trans- and Intersexuality. They help the society to understand the problems of persons concerned.

Today they send live from a tent at the park near the Votiv-Church in Vienne. On Thursday, the  16th of June, the action &#;Regenbogenpark&#;/Rainbowspark startet, with a lot of exibitions to the topic: gay, lesbian people, transgenders,  equality and the combat against discrimination from LGBTs.
All these acts as a kick-off to the Rainbowsparade tomorrow, Saturday, the 18th of June.
Tune-in, the two Ladies have a lot of Feel-Good-Music for you and many interviews with exhibitors and visitors of the Rainbowspark! From 11 am to 5pm in the afternoon!

gods that rot

By Diogenes ( articles ) | Jul 17,

Michael Rose rightly scores the Austrian Bishop Kurt Krenn for attempting to ignore photos of homosexual times at St. Poelten seminary -- including several purporting to show his vice-rector and a male student sucking face -- as "childish horseplay." This kind of "horseplay," sometimes described as education for celibacy, has been endemic in seminaries and other houses of religious formation for at least twenty years, and we have no reason to think that the complaints provoked by the submit scandal will not take the usual course -- remanded to a committee for two weeks and then tabled for lack of interest -- and that the laddies will not be back next semester celebrating diversity at full throttle.

But for the photos.

It's a funny thing about a jpeg, but it can accomplish what a mountain of documentary evidence cannot. Absent the pictures, your Aunt Margaret would simply be confronted with conflicting testimony: the lurid notify of the (editorially anti-Catholic) news media, and the sanctimonious deni

Philippe Quesne . Vivarium Studio

The powerfully visual and atmospheric theatrical worlds of Philippe Quesne consistently focus on the pressing issues of our hour. For his new piece, a retrospective of his year collaboration with the Vivarium Studio, he brings together the most essential protagonists and motifs from his work to this point. The title of this anniversary play, located somewhere in between a medieval bestiary, environmental sci fi and a up-to-date Western, is a reference to the year-old painting by Hieronymus Bosch, The Garden of Delights. In a dialogue with this key work from art history, Quesne enquires into the core of human identity, utopian visions of humanity and its broken relationship to contemporary dystopias. In a grand theatrical panorama, this many-sided director, scenographer and playwright traces the development of human history, its highs and lows, its dreams, its will to power and its failures. In doing so he explores the rules of how to form a community and how to treat the world around us in an extremely poetic and playful manner. Once again Philip